At
No. 12
Building
from the beginning of the eighteenth century
The opening on the ground floor is in the form of a semi-circle.
The bay on the first floor certainly dates from after the construction of the building.
The window on the second floor is a flattened arch. The window of the third floor
has a straight lintel. This building has
been the object of a series of modifications but it remains attractive due to is small size.
At
No. 14
Building
circa 1740
The ground floor decorated with bosses has a door in the form of a basket handle-arch.
The openings on the first floor possess beautiful guardrails
in wrought iron. On the second floor, below the window, there is a handsome sculpture
representing a person often called "Bacchus" or "L'Angelot"
(see photo above). A chain of corner stones (in French refends)
delimit the facade. The third floor has two semi-circular dormer windows located in the brisis
(French for steep sloped roof) which is itself made of slate. The terrasson
(French for the roof's slope; 30%) is made of "channel" tiles, in French this type of roof
is called "comble à la Mansart".
At
No. 16
Building
from the end of the eighteenth century
A simplification in the facade's decor. The bosses, chain of corner stones
disappear little by little. The wrought iron takes on a more geometric form.
At
No. 18
Building
from the beginning of the nineteenth century
On the ground floor there is a basket handle-arch and on either side are semi-circular openings.
These three openings possess on their upper parts magnificent ironwork (see photo above).
The balcony along the width of the facade is richly decorated.
The bays on the first and second floors are topped by cornices. They all possess
moulded fames. The cornice of the roof possesses denticules (small sculpted stone squares).
At
No. 20
Building
from the beginning of the eighteenth century
On the first floor there is a balcony in wrought iron (French Directory style).
The opening on the first floor are topped by consoles with triangular frontons
(Directoire style). The openings on the second floor
are topped by consoles with cornices. The roof's cornice has large modillions
(sculpted square stones).
At
No. 22
Building
from the beginning of the nineteenth century
At
No. 24
Building
from the beginning of the nineteenth century
Raising of the third floor after the construction of the building.
At
No. 26
Building
from the nineteenth century
Possessing a large semi-circular bay terminating at the
first floor, within which there is a loggia. The guardrail is in cast-iron.
The openings possess moulded frames and Persian shutters.
At
No. 28
Building
from the last quarter of the eighteenth century
Office of BORDEAUX MONUMENTAL (tourist office, permanent heritage display).
This building in the style of Louis XVI possesses on the ground floor
a large semi-circular bay. The wall is bossed
(stone with sunken joints). The first and second floors have beautiful "Rocaille" ironwork
originating from the style of Louis XV. Chains of corner stones delimit the facade.
At
No. 30
Building from the last quarter of the eighteenth century
At
no. 32
Building
circa 1770
At
No. 34
Building
from the last quarter of the eighteenth century
Ground floor with basket handle-arch and semi-circular bays
encircling the entresol. The wall is bossed (stones with sunken joints).
The openings on the second and third floors are framed by mouldings, have beautiful ironwork.
During this period the chain of corner stones disappears.
The building's cornice supports overhanging channel tile tips (in French génoises).
At
No. 36
Building circa 1770
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